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...f the Festival d’Avignon as production manager. Since 2013 she is training cultural managers from Tunisia, Morocco and Algeria in the frame of Kulturakademie p

...e and science, cultural activism, ecological and sustainability movements, cultural heritage and collaborative networks. I am experienced in coordinating and f ...contribute as much of my artistic-research work to the Cultural Knowledge Commons, archiving media and documents to http://archive.org/details/@agryfp

...i´m related to rural commons. From rural association i develop social and cultural activities on rural areas. Last years we have been co-working hardly in Mon

...e and science, cultural activism, ecological and sustainability movements, cultural heritage and collaborative networks. I am experienced in coordinating and f ...tribute as much of my artistic-research work to the {{C|Cultural Knowledge Commons}}, archiving media and documents to http://archive.org/details/@agryfp

...e UK, Turkey, Poland and Spain. Lucas is also a media-maker working on the commons, {{C|migrations}} and {{C|political cinema}}.

...f the Festival d’Avignon as production manager. Since 2013 she is training cultural managers from Tunisia, Morocco and Algeria in the frame of Kulturakademie p

...e UK, Turkey, Poland and Spain. Lucas is also a media-maker working on the commons, migrations and political cinema.

.... Sophie coordinates projects on {{C|urban commons}} and the {{C|knowledge commons}}. Sophie has degrees in philosophy, political economy and International Re

...and global policy environment on health and trade, in well as in European cultural grass root civil society on the exchange of ideas and transnational dialogu ...knowledge. Sophie coordinates projects on urban commons and the knowledge commons. Sophie has degrees in philosophy, political economy and International Rela

|Global Commons | Biodiversity Global Commons

;Source : Charlotte Hess, Mapping the New Commons (Syracuse University Library, July 1, 2008) |Cultural commons

...on DEMETRA that seeks ways to promote individual participation in Society (cultural, social and politics ways). One example of this work is www.Votando.es.

In 2008, we began developing the TK Licenses concept. Inspired by Creative Commons (https://creativecommons.org/) and in conversation with Indigenous communit ...e and non-legal intervention addressing the enormous amounts of Indigenous cultural heritage material that circulates without Indigenous perspectives or protoc

...s and responsibilities of citizens to establish, preserve, and improve the cultural heritage dedicated to these cities. This Charter was started in 2016 and is |Catégorie Hess=cultural commons

...esses. I live and work on Galician rural area, so i´m related to {{C|rural commons}}. From {{O|ruralc}} association i develop social and cultural activities on rural areas. Last years we have been co-working hardly in {{I

...on DEMETRA that seeks ways to promote individual participation in Society (cultural, social and politics ways). One example of this work is www.Votando.es.

...oncept : "Solidarité de vallée". Technically - because the question of the commons are technological questions too - we propose to elaborate "new urbane river ...pose to work in Brussels about the Commons of our Commons, which can be an Commons Assembly of Brussels.

|Description=This Land is Our Land - The Fight to Reclaim the Commons ...commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free

...: "{{C|Solidarité de vallée}}". Technically - because the question of the commons are technological questions too - we propose to elaborate " {{C|new urban r ...to work in Brussels about the Commons of our Commons, which can be an {{C|Commons Assembly}} of Brussels.

The Fight to Reclaim the Commons ...commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free